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Quarshie had been appearing for over 20 years when he landed the position of Captain Panaka in George Lucas’s feverishly anticipated “Star Wars” prequel, however he hadn’t executed any CG-heavy movies previous to this (the shot-quickly-and-cheaply “Wing Commander,” which got here out two months earlier than “The Phantom Menace,” would not depend). So the notion of enjoying a scene reverse a personality to be created later was new to him.
Within the days earlier than efficiency seize, this was achieved by having flesh-and-blood actors speak to a keep on with a tennis ball affixed the place the creature’s head could be. So, in idea, there was nothing new about Quarshie’s problem when he got here again to do reshoots by himself. However as he defined in difficulty 212 of Star Wars Insider, he wasn’t appearing reverse a CG-alien. He was interacting with an unavailable-at-the-time Liam Neeson and Natalie Portman. Per Quarshie:
“[T]hey caught a cross on a pole to characterize Liam, who’s six inches taller than me, and one other, decrease one to characterize Natalie, and I used to be filmed speaking to a few crosses on two sticks! It was barely puzzling and pedestrian, however once I noticed how skillfully they merged these pictures into the movie. I used to be amazed and really impressed. It wasn’t filmmaking as I had been used to, however appearing has needed to evolve simply as filmmaking has needed to evolve. It was a studying curve.”
Contemplating that some big-time actors generally have their scene companions ship traces to their stand-ins, a few sticks would possibly really be preferable.
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