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‘Sorority Sisters… Sisters in Life. Sisters in Loss of life.’
The Home on Sorority Row is a 1982 American slasher horror movie a couple of group of younger girls who’re stalked and murdered in revenge for a previous prank. Additionally launched as Home of Evil
Written and directed by Mark Rosman (The Invader; Evolver; Mutant [uncredited]), with extra dialogue by Bobby High quality, the VAE Productions film stars Kate McNeil, Eileen Davidson, Janis Ward and Robin Meloy.
The orchestral soundtrack rating was composed by prolific Richard Band (Puppet Grasp; Re-Animator; Parasite; et al), Charles Band’s brother.
Evaluate:
The Home on Sorority Row is without doubt one of the greatest (and sadly, one of many extra underrated) slasher movies to be launched in the course of the horror growth of the early Nineteen Eighties.
Sure, I do know that the poster above in all probability makes it look just a little generic. And ‘The place nothing is off limits’ sounds extra like a tagline for a movie about snowboarders than a relatively partaking and infrequently even witty suspense movie. However irrespective of! The Home on Sorority Row is a minor masterpiece of the style (keep away from the unfastened 2009 remake, Sorority Row).
Seven sorority sisters are enthusiastic about graduating and need to throw a giant occasion. Nevertheless, their strict and barely insane home mom, Mrs Slater (Lois Kelso Hunt), has a strict no occasion coverage. She additionally has a strict “everybody out of the home as soon as the semester ends” coverage.
Mrs Slater could be very sad when she discovers that the seven ladies are planning on staying for the weekend! She calls for that all of them go away after which proceeds to make use of her cane to destroy a waterbed whereas one woman is on it along with her boyfriend. Because the hallway floods, the women surprise what’s unsuitable with Mrs Slater.
After all, what they don’t know is that Mrs Slater has a tragic previous. Properly, truly, they sort of do realize it. On the very least, they think it. They know that Slater does have a motive for all the time closing the home on the weekend instantly following the tip of the semester. They know however they don’t care. As a substitute, they plan an elaborate prank. That’s proper! V for Vengeance!
How does the prank work out? Properly, like most school pranks, it finally ends up with two laughing ladies, 5 offended and/or frightened ladies, and one lifeless home mom floating within the pool. Oh no! They’ve obtained to each throw a celebration and cover a lifeless physique! See, this is the reason I by no means joined a sorority. I can throw a celebration. And I can cover a lifeless physique. However not each in a single night time!
At first, issues go okay. No one discovers the physique. The occasion goes off as deliberate. Everybody’s having nearly as good a time as you possibly can whereas attempting to cowl up a future-ruining felony. However then all of a sudden, the physique disappears. After which the women begin to disappear, one after the other…
So, let’s simply be sincere right here. Plotwise, The Home on Sorority Row shouldn’t be going to win factors for originality. Although the movie does embrace a number of intelligent twists, it’s just about your commonplace slasher movie and it has its share of scenes the place the women stupidly break up up, drop knives that they actually shouldn’t drop, and conceal in foolish locations. I all the time really feel dangerous for the woman killed within the rest room stall as a result of severely, that’s the final place I might need to die. (Add to that, her head later turns up in a rest room. Bleh!)
Whereas the plot could also be acquainted, The Home on Sorority Row is a triumph of favor. Director Mark Rosman might have informed a well-known story however he informed it nicely, placing extra emphasis on suspense than gore. No matter how foolish the plot could also be, you continue to get caught up in it. Rosman is at his greatest in the direction of the tip of the movie when the ultimate survivor has to struggle off the assassin whereas below the affect of a hallucinogenic drug.
Lastly, the movie is much better acted than your typical slasher movie. Although nearly all of the characters are undoubtedly acquainted varieties (there’s the bitchy woman, the marginally much less bitchy woman, the perfect buddy, the mousy woman, the sensible woman, the dumb woman, and many others), the actresses who play them are all sympathetic and likeable. You truly care about them.
Sure, you even care about self-centred, immature Vicki, though she’s the one who got here up with the prank within the first place. Eileen Davidson performs Vicki and she or he offers top-of-the-line performances in slasher movie historical past. It’s exhausting to not relate to her exasperation because it seems to be more durable to cowl up a homicide than she initially assumed.
Lisa Marie Bowman, visitor reviewer through Via the Shattered Lens
MOVIES and MANIA ranking:
Different critiques:
“Some followers may discover the first half of the movie sluggish, but I didn’t have an issue with the tempo at which it set issues up, and although a number of of its results fall in need of the mark, The Home on Sorority Row stays a really entertaining slasher flick.” 2,500 Motion pictures Problem
“The unseen killer stalks in a first-person visible and kills. Typically the kills are proven (graphically) and typically they’re unseen… however in basic horror movie model, there’s a closing scene the place all of the our bodies pop-up and also you additionally get one other scary horror clown.” Basement Rejects
“The Home on Sorority Row is a rudimentary and extremely typical slasher movie with a number of neat twists and sufficient stress and chills to make sure it received’t disappoint followers of the sub-genre. Whereas not as masterful as Halloween, or as gory as Friday the thirteenth, it nonetheless emerges as one of many higher slasher movies from the early 80s.” Behind the Sofa
“There’s nothing that may shock seasoned slasher viewers and the gore results are fairly restrained […] however it’s nonetheless one of many stronger and extra entertaining entries within the slasher style with some cleaning soap opera-ready bitchiness from Davidson…” DVD Beaver
“The hallucination scenes in the direction of the climax are artistic horror-imagery at its best and the operatic rating is at instances pulse-raising. That closing scene, which sees the killer elevate from the shadows in creepy clown apparel, is as iconic as something from the life-span of the style…” A Slash Above…
“Rosman’s debut film was a reasonably honest show-reel promising, falsely it appears, extra and higher to return.” Time Out (London)
“It’s uncommon to see a slasher movie so in contact with its medium that there’s apparent effort in making it look beautiful, taking what labored in its ancestors and recycling it to raised visible impact. There are flaws however not many…” Vegan Voorhees
“Certain, the victims right here may skirt on being clichés however you possibly can’t deny the truth that Davidson offers a pleasingly bitchy efficiency, Hunt exhibits some staunch authority, and Kathryn McNeil offers a strong flip as our moralistic heroine, Katie. That is balanced fairly properly by a number of first rate moments of bloodshed together with a number of stabbings and a reasonably kick-ass scene involving a rest room.” The Video Graveyard
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