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Reben is OpenAI’s first artist in residence. Formally, the appointment began in January and lasts three months. However Reben’s relationship with the San Francisco–based mostly AI agency appears informal: “It’s somewhat fuzzy, as a result of I’m the primary, and we’re figuring stuff out. I’m most likely going to maintain working with them.”
Actually, Reben has been working with OpenAI for years already. 5 years in the past, he was invited to check out an early model of GPT-3 earlier than it was launched to the general public. “I received to mess around with that fairly a bit and made a couple of artworks,” he says. “They had been fairly fascinated with seeing how I may use their techniques in numerous methods. And I used to be like, cool, I’d like to strive one thing new, clearly. Again then I used to be largely making stuff with my very own fashions or utilizing web sites like Ganbreeder [a precursor of today’s generative image-making models].”
In 2008, Reben studied math and robotics at MIT’s Media Lab. There he helped create a cardboard robotic known as Boxie, which impressed the lovable robotic Baymax within the film Massive Hero 6. He’s now director of know-how and analysis at Stochastic Labs, a nonprofit incubator for artists and engineers in Berkeley, California. I spoke to Reben through Zoom about his work, the unresolved rigidity between artwork and know-how, and the way forward for human creativity.
Our dialog has been edited for size and readability.
You’re fascinated with ways in which people and machines work together. As an AI artist, how would you describe what you do with know-how? Is it a device, a collaborator?
Firstly, I don’t name myself an AI artist. AI is solely one other technological device. If one thing comes alongside after AI that pursuits me, I wouldn’t, like, say, “Oh, I’m solely an AI artist.”
Okay. However what’s it about these AI instruments? Why have you ever spent your profession enjoying round with this type of know-how?
My analysis on the Media Lab was all about social robotics, how folks and robots come collectively in numerous methods. One robotic [Boxie] was additionally a filmmaker. It principally interviewed folks, and we discovered that the robotic was making folks confide in it and inform it very deep tales. This was pre-Siri, or something like that. Nowadays individuals are conversant in the concept of speaking to machines. So I’ve all the time been fascinated with how humanity and know-how co-evolve over time. You realize, we’re who we’re at the moment due to know-how.
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