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‘The deep finish of horror!’
Shock Waves is a 1977 American horror movie during which shipwreck survivors uncover a Third Reich commandant and his unit of zombie troopers.
Directed by Ken Wiederhorn (Freddy’s Nightmares TV sequence; Darkish Tower; Return of the Dwelling Useless Half 2; Eyes of a Stranger) from a screenplay co-written with John Harrison (Homicide By Telephone).
The Reuben Trane produced film stars Peter Cushing, Brooke Adams, Fred Buch, Jack Davidson, Luke Halprin, D.J. Sidney, Don Stout and John Carradine.
Shot on 16mm (later blown as much as 35mm) between July and August 1975, the film was initially titled Loss of life Corps. In 1977, it was picked up for US distribution by exploitation film professionals Joseph Brenner Associates (Torso; Post-mortem; Eyeball) and retitled Shock Waves.
Within the UK, the movie was launched in 1978 with a BBFC ‘A’ score as Virtually Human by David Grant (who was later imprisoned for distributing Nightmares in a Broken Mind on VHS).
The synth rating was composed by Richard Einhorn (The Prowler). In 2016, it was remastered for a vinyl launch by Waxwork Data. The seafoam inexperienced LP contains liner notes by Einhorn and director Ken Wiederhorn and options cowl artwork by Marc Schoenbach and centre label artwork by Gary Pullin.
Plot:
Throughout World Conflict II, the German Excessive Command ordered its scientists to create a top-secret race of indestructible zombie stormtroopers – un-living, unfeeling, unstoppable monstrosities that killed with their naked fingers. They had been referred to as The Loss of life Corps. No member of this horrific SS unit was ever captured by Allied Forces – and, someplace off the coast of Florida, they’ve survived…
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Opinions:
“The film has some nice visible cues however it additionally has some problematic components. It looks like the film was usually shot night-for-day and it’s troublesome to see if it speculated to be evening in some scenes […] The underwater footage is paying homage to Creature from the Black Lagoon and facets of Carnival of Souls with the zombies strolling slowly and methodically into and beneath the water in slightly creepy visuals.” Basement Rejects
“The movie’s grainy look, desolate areas, ominous digital rating, and virtually relentless motion creates a really distinctive, dreamlike expertise. As such, it’s that uncommon horror movie that – whereas it could not make you scream whereas watching it – really sticks within the viewer’s thoughts lengthy after the ultimate credit roll.” The Deuce
“With robust course (these underwater photographs are stupendous!), surprisingly robust appearing from everybody concerned, unforgettable cinematography (these grainy zombie silhouettes will stick with me for the remainder of my days) and a few tingling moments of sheer terror (a Nazi zombie standing a bit of too nonetheless behind a closing door whereas a blinded sufferer is oblivious to its presence), Shock Waves builds itself right into a soaking wet funhouse…” Anti-Movie College
” …Shock Waves is just not a foul movie and prefigures most of the late Seventies horrors. The commandant gives Cushing with an opportunity to play a menacing character, however one who’s haunted by a terror from the previous. His tiny, responsible look to the swastikaed banners that beautify his retreat is phenomenal. It’s one in all his final actually satisfying horror roles.” David Miller, The Peter Cushing Companion
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“Shock Waves gives a novel and memorable zombie mythos that makes a totally clear break each from Caribbean folklore and from the newer George Romero orthodoxy. Moreover, although their character design in fact differs drastically, the Loss of life Corps resemble the Blind Useless of their uniformity of look, their implacably methodical demeanor, and their general air of inscrutable otherworldliness.” 1000 Misspent Hours and Counting
“Shock Waves gives an undeniably artistic and progressive method to the display presentation of the zombie, on the top of the post-Evening decade during which such innovation was most missing.” Peter Dendle, The Zombie Film Encyclopedia
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“Ready performances and some placing moments – particularly the primary look of the zombies, rising from the ocean with scarred faces and darkish glasses – don’t reach offsetting a rambling, repetitious script and a common air of impoverishment.” The Aurum Movie Encyclopedia: Horror
“Among the areas, notably an previous resort, are suitably spooky and director Ken Weiderhorn is ready to give the fascist creatures their moments, too.” Mike Mayo, The Horror Present Information
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Italian poster (beneath) ties the movie in with 70s common curiosity within the ‘Bermuda Triangle‘:
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