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‘Alone… terrified… trapped like an animal. Now she’s preventing again with the one weapon she has… herself!’
The Seduction is a 1982 American psychological thriller movie during which a TV anchorwoman is stalked by a photographer who’s obsessed together with her and desires to win her affections at any price.
The film was written and directed by David Schmoeller (Netherworld; Puppet Grasp; Crawlspace; Vacationer Lure). It was produced by Irwin Yablans (Halloween, 1978) and Bruce Cohn Curtis (Hell Evening).
The Romantic Enterprise/Avco Embassy manufacturing stars Morgan Fairchild, Michael Sarrazin, Vince Edwards, Andrew Stevens, Colleen Camp and Kevin Brophy.
Lalo Schifrin (Tales of Halloween; The Manitou; Eye of the Cat; et al) composed the soundtrack rating and Dionne Warwick sang the title theme music.
Plot:
Los Angeles-based anchorwoman Jamie Douglas (Morgan Fairchild) seemingly has all of it: a glamorous profession on a top-rated information present, an expensive home within the hills, and a loyal younger fan named Derek (Andrew Stevens).
Nevertheless, when Jamie rebuffs his romantic advances, Derek turns into a stalker who performs out an more and more psychotic courtship with the frightened newswoman.
Quickly, he’s threatening each a part of her life, secretly watching even her most intimate moments and her tough-talking lover (Michael Sarrazin) can’t console her.
A by-the-book cop (Vince Edwards) can’t shield her both. However Jamie is way from helpless. She’s able to combat again with all of the weapons at her command…
Opinions:
Apart from Stevens, who provides a surprisingly stable efficiency because the psycho, the opposite main actors (Fairchild included) are left to flounder their means by this mess […] The majority of the blame rests squarely on the shoulders of Schmoeller, whose poor course and script handle to deliver out absolutely the worst in his performers…” The Bloody Pit of Horror
“A sudsy, terribly written, horribly acted time capsule of the early ’80s period of blow-drying and big sun shades. Amid the froth, nonetheless, there’s one impressed scene the place Stevens sneaks a darkish message onto the information teleprompter. Fairchild’s hysterical (in each sense of the phrase) on-air breakdown is an unqualified spotlight.” Horror 101 with Physician AC
” …it’d prefer to be a Hitchcock kind thriller, but it surely doesn’t have the category, or the devilish plot twists to drag that off. … It fails as a slasher film and even an exploitation flick- assume Knots Touchdown crossed with Straw Canines (with added lip gloss) […] The Seduction is a 24 carrot yawner- a forerunner to all these Shannon Tweed motion pictures and nothing else.” Hysteria Lives
“There may be additionally a unprecedented hypocrisy to the movie. It’s largely arrange round a prurient interesting to the identical voyeuristic needs in its viewers that it condemns in Andrew Stevens’ character on display. A lot time is spent languishing over the bare or near-naked physique of Morgan Fairchild and a big a part of the enchantment the movie has is about up round seeing this...” Moria
“When The Seduction lastly stops the teasing, and will get right down to the motion, it’s not unhealthy in any respect. However sadly, we’re solely speaking the final ten minutes of the film. When Fairchild prepares to battle Stevens (by first getting bare for us—thanks—after which slipping right into a slinky black negligee with full make-up), The Seduction finally kicks into gear.” Films & Drinks
“The Seduction is a shiny vainness manufacturing. Nevertheless it’s hardly an efficient thriller. The performances are picket, the pacing slipshod, and far of the motion appears centered on getting Fairchild to undress. None of it’s ever superb, however to be honest, it’s additionally not absolutely the backside of the barrel.” The Terror Lure
“Fairchild was good because the terrorized TV star and wasn’t shy about skinny dipping in her pool or taking baths. Stevens was suitably twisted because the tormented voyeur who stops at nothing to win the item of his affection. He additionally purchased a way of vulnerability to the character…” The Video Graveyard
“Why the heck is it even known as The Seduction? Stevens doesn’t seduce Fairchild, he stalks her. I suppose you can make a case that Fairchild seduces him with a purpose to lure him to her home so she will get her revenge, however I’m not satisfied.” The Video Vacuum
“That is one that actually lets issues construct to an enormous end and I give all of the props on this planet of giving us a end that was fairly cool. Particularly for taking the route much less traveled with a number one woman that’s keen to combat again when pushed.” Zombies Don’t Run
MOVIES & MANIA score:
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